9 Key Strategies for How to Research a Novel

Have you ever started a tale, come halfway through, and realise you don’t know key information about your story’s macrocosm? Have you ever wondered how to find out the size of spoons in Medieval England for your fantasy adventure narrative? Is that even relevant to your plot, or could you bounce that fact? Here’s how to research your novel.

9 Key Strategies for How to Research a Novel

As fiction writers, our job is to sit at a keyboard and impel material up for entertaining and profit. We conjure most of our material from our ingenuity, imagination, and mental supply of actualities and trivia, but sometimes we need that little bit of additional verisimilitude that investigate can bring to a project.

When it comes to research, there are key strategies to keep in mind to help you make the most of your time and effort.

9 Strategies to Research a Novel

Readers who’ve posted scrutinizes for my thriller, Nocturne In Ashes, often mention about how well-researched it is. While that can be a positive sentiment, that’s not really what you want books to notice about your record. The best research shouldn’t call attention to itself or detract books from the floor so I’m ever relieved to hear those same reviewers is to continue to rave about the thrills and anticipation .

When you’re writing, you want to get the facts right and create a plausible world. Doing research for your romance is how to do that. But you too don’t want to get sucked into a research hole, so confused by the regional cuisine of a small town in 1930 s France that you never actually write. And you want to hook your books with a page-turning story , not a thesi on some obliterate topic.

Here are nine key experiment approaches I’ve learned to write an effective( and stimulating !) story.

1. Write firstly, research last-minute

Research can be a hazardous endeavor because it’s seductive and time spent in research is time taken away from actual writing. Getting messages on the page is undertaking one, so it’s important to meet your daily writing goal before engaging in research.

So if the segment you’re working on expects investigate, your first ordering of the day should be to write something else that doesn’t need study firstly, something you can draw exclusively from curiosity and your own mental reservoir. Fill your command quota, rehearse your talents, meet your production goals, and THEN move on to research the other project.

I always have various works in progress. I’m writing project A while researching activity B and thinking about and projecting jobs C through M.

2. Research is secondary; telling a good story comes first

After doing all the novel research to boost your acquaintance and feel for a topic, use merely a small fraction of it in the fib. Don’t give in to the temptation to dump it all in there. Sure, it’s fascinating stuff but you risk submerge the fib in technical or historic detail.

A little bit of researched material moves a long way. Keep what you use in your fib to the questions your person would know about and be concerned with. Leave out the captivate but insignificant details.

Your investigate should enhance the story , not reign it.

“Your investigate should enhance the story , not dominate it. Include information your courage would know( especially if it impacts the choices they conclude !), and skip the rest.Tweet this 3. Write for your devotees

Your story should be targeted to the books who love what you write–your supporters. Stop worrying about the five people out there who might read your story and nitpick that your courage exerted the wrong crotch or wore the wrong kind of corset.

A lot of writers fake it. They don’t make the limited availability of esoteric knowledge get in the way of the story. They do research for their novels, seizure a few details for the sake of authenticity, and wing the rest.

With the exception of 11/22/ 63, Stephen King does very little research, but there are few who can write a more riveting story.

4. Don’t obsess over accuracy

Frankly, there are instances and rationales whatever it is you don’t really want to be accurate. For example, if you write historic romance, research might show that people of that time period rarely bathed and lost the majority of members of their teeth and whisker at a young age. That’s probably not how you want to draw your heroine and the three men of her dreams.

Sometimes, including a historically or scientifically accurate item would require sheets of explanation to make it plausible for today’s audience–almost a surefire way to lose your reader. When in doubt, leave it out.

And no matter how hard you work at it, you’re not likely to cover every detail with one hundred percent accuracy, so don’t obsess over it. Do your best, but remember–story is what matters , not accurate details.

5. Go with the most interesting version

When researching an event, you’ll generally find a number of different details , none in excellent agreement with the others. When this happens, do what the History Channel does–go with the most entertaining version of events.

Remember, you’re a narrator , not a historian. Your goal is to grab and contained your reader’s attention and save her turning pages. If it performs you feel better, you are eligible to include endnotes with references so interested readers can excavate deeper into the “facts.”

6. Keep a “bible”

This is especially important if you’re writing a series. You can’t be expected to remember every important detail about the specific characteristics and lays you put in book one when, years later, you’re working on bible seven.

Record these details in an easy-to-reference format you can come back to last-minute to provide continuity and reader confidence in your ability to tell a coherent story.

7. Don’t fall down the wormhole

I love make experiment. It’s fun, mesmerizing, and absorbing–so absorbing, it can suck you in and save you from moving on to the writing. You need to be able to draw the line at some degree. As Tina Fey says in her book, Bossy Pants, “The show doesn’t go on because it’s ready; it goes on because it’s 11:30.”

Know when it’s time to leave the research and get to the writing. Pro tip: cause yourself a deadline, so even if you don’t “feel” finished with investigate, you have a clear marker for when you have to leant the research down and get back to writing.

8. Save simple details for last-place

Sometimes when you’re writing along in your legend, you’ll find yourself needing a simple detail. Make a notation, resolve to return to it last-minute, and move on. Don’t made this interrupt or agitate you from coming the tale down on the page.

Later, you can come back and do the minimum experiment to fill in these detailed level like a persona word, a site, a vehicle simulate, etc. Shawn Coyne calls this “ice cream work” because it’s fun and feels frivolous after the concentrated effort of writing the story itself.

9. Finish THIS project before starting another

One enormous thing about research is that you learn so much and find the grains for so many brand-new narration hypothesis. The challenge is to not get agitated from your current project.

Make a note to yourself to pursue these other ideas somewhere down the road. Let those grains sprout and grow in the back of your mental garden, but keep your focus on the fib you’re writing now.

Resources: Where to Actually Research Your Novel

I’ve stroked on how to do studies and research. Now, I’m adding a few suggestions about where to go for the goods.

Wikipedia, and don’t forget to dig into the links at the bottom of the section Reenactor sites for historical debates, dress, etc. Costuming locates Travel guides Writer’s Digest Writer’s Guide to Daily life in … fill in the blank( these are laded with details of landscape, robing, household components, and more) Biographies and autobiographies, and don’t overlook their bibliographies and footnotes Newspapers Periodicals and journals Letters Weather reports Price lists, to be informed about how much were payments, groceries, mortgage payments, etc. Birth and fatality certifications, field documents Etymology websites Museums and talent shops, including the little touristy pamphlets, maps, tour guides Libraries! Talk to a comment librarian–they’re frightening at plumbing sources.

Novel Research Rocks!

Research really is intriguing and a lot of fun. There’s so much to discover, but beware because you can get lost in it and never find your way out. You’re better off under-researching than over-researching, so know when to get out and move on.

Also, be aware that your novel’s research requirements will differ somewhat based on the category you’re writing. For speciman, with historical fiction, you need to give your readers a cros adventure into the past with sensory items to draw them into the time period.

With science fiction, you need to be able to extrapolate from scientific fact and thought to the fictional assertion of your narrative. In doing so, don’t get bogged down in the excursion from target A to phase B. Just get to the conclusion. The more you clarify, the less reliable it sounds to the reader.

With fantasy, it’s the little world-building details that count for so much. Know what your reader expects and craves and meet those demands.

I wish you countless happy hours of successful fiction research, but don’t forget to write first!

How about you? Do you do research for your fictions? Where do you turn for datum? Tell us about it in the comments.


Use one of the inspires below or make up your own. Conduct a little research–just enough to add verisimilitude to the scene, a few telling items. Spend five minutes researching two to three facts that will help you specified the panorama. Then, take the next ten minutes to write a couple of paragraphs to establish the character in the setting.

The death of her parent buds Miss Felicity Brewster alone in regency England and locates upon her additional burdens of fulfilling his last-place wish–that she marry a safe, respectable gentleman.

Accused of treason, Frendl Ericcson sets out to find his betrayer and reinstate his honor.

Dr. Vanessa Crane makes a breakthrough in her nanotechnology research. But will her invention benefit human, or completely destroyed?

With the help of his mortician friend, Victorian-era detective Reginald Piper must use cutting-edge forensic methods to solve a string of murders.

When you are finished, announce your work in the comments and don’t forget to leave feedback for your fellow novelists!

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